This Is The Kit Live at Third Man Records Cass Corridor @ Third Man Records Cass Corridor, Detroit [19 May]

This Is The Kit Live at Third Man Records Cass Corridor

19:30 - 23:00

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Third Man Records Cass Corridor
441 Canfield St W, Detroit, Michigan 48201
This Is The Kit
wsg Adam Schatz (of Landlady)
May 19th, 2018
Doors 7:30pm
Show 8:30pm
$10 advanced tickets, $12 at door
All ages

“I’ve been thinking a lot about truth and storytelling and the way that stories and truth change over time according to who’s telling them or who’s listening to them,” says Kate Stables. “How personal stories accidentally become representative of bigger stories. How as groups and individuals, as humans, we use and need the stories we tell.”

Ten years and four albums deep, the story of This Is The Kit — the musical project that holds Stables at its heart, is itself one of time and change and careful listening. It has carried Stables from Winchester to Bristol to Paris (where she’s lived for the last ten years), across tours and festivals and the adoration of her peers: Guy Garvey, The National, Sharon van Etten among them. And it leads her now to Moonshine Freeze, her Rough Trade debut, and her most stunning and accomplished and compelling album to date.

Moonshine Freeze began in the immediate wake of its predecessor, Bashed Out: days after coming off tour last November, Stables and her band (Rozi Plain, Jamie Whitby-Coles, Neil Smith and Jesse D Vernon) headed into the studio in Bristol. “This time I really wanted to make sure that the band was fully involved from the beginning,” she says. “They’re three of my favourite musicians, and what they do with their separate projects and what they bring to This Is The Kit is brilliant. It’s really amazing that they are still up for being in the band. It’s no mean feat of endurance.”

Stables enlisted John Parish (PJ Harvey, M Ward, Perfume Genius) to produce, having worked with him on the band’s debut, Krulle Bol. “He is just an excellent human,” she says. “I love being in his company and learning from him and seeing the way he works. It felt like a good time to work with him again, and see how everyone’s grown or changed or stayed the same. It’s nice to have those cycles.” Aaron Dessner of The National also joined proceedings to feature on six of the album tracks.
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